September Gold Era for Dire Straits – 1985

September Gold Era for Dire Straits – 1985

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Dire Straits as the band had gold career and their success were massive. At the time they were not compared to other bands, because Dire Straits were the No.1

In their perfect storm of 1985, the month of September Dire Straits add singles supremacy to their spectacular success on album as a live attraction.

Actually 21st September 1985 was the day when “Money for Nothing” started their “life” on chart for three-week reign as No.1 on the Billboard Hot 100.

Mark Knopfler may have been using a touch of irony when he asked Sting to provide the vocal in which he said he wanted his MTV, but MTV certainly wanted Dire Straits.

As the video for the track went into their maximum rotation, the single entered the US chart for the week of 13 July. It was the very date on which the band took their place in history on the Live Aid bill at Wembley Stadium, and with the Brothers In Arms” album that it came from already making huge strides, not just in America but around the world.

With the album already at triple platinum status in the US and rising fast, those 21 September charts showed the Straits in the fourth of nine weeks at the album summit, a run that would last into November. But now, they dominated the singles market too, as ‘Money For Nothing’ took over from John Parr’s film theme smash ‘St. Elmo’s Fire (Man In Motion)’ at No. 1.

This was at the height of the so-called “Second British Invasion” of the US, and to underline that point, Dire Straits thus became the fourth UK act in just six months to top the American singles and album charts at the same time.

Phil Collins, Tears For Fears and Wham! had all done it before them in 1985. Five other artists had done it in the earlier 1980s. Three of those were in 1980, when Pink Floyd, Queen and John Lennon all achieved the rare feat. Paul McCartney did it in 1982 and The Police in 1983.

Incredibly, “Money For Nothing” was the ninth No. 1 by a British artist out of 11 to top the Hot 100. It was also Knopfler’s second US top ten success as a writer in some five months: Tina Turner’s recording of his “Private Dancer” had reached No. 7 in March.

Source: www.udiscovermusic.com

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